Jean doesn't want to stagnate in the anonymity of an unattractive life anymore. He chose to start a new career very mediatic but quite dangerous.

After a performance depicting the lives of jesters during the Joseon era, the cast, led by director Byungsoo, immerses themselves in rehearsing a new play.

After a performance depicting the lives of jesters during the Joseon era, the cast, led by director Byungsoo, immerses themselves in rehearsing a new play.

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Monday Monday is an ITV, UTV comedy drama. It stars Fay Ripley, Jenny Agutter, Neil Stuke, Holly Aird, Morven Christie, Tom Ellis, and Miranda Hart.It is set in the head office of a supermarket that has fallen on hard times and had to re-locate its staff from London to Leeds. The show was initially announced as part of ITV's Winter 2007 press pack, but was "iced" until 2009 due to falling advertising in the wake of the economic downturn.

Three morticians get caught in a web of greed and deceit, involving buried treasure and a tangled love affair, in this modern day crime mystery that is based on a true story.

A white female detective is partnered with a black male detective to find the person who is committing a series of particularly vicious murders. During the course of the investigation the two begin to develop an attraction to each other, but the situation is complicated by the fact that he is married.

Sheds a light on an outdated California law that limits your recovery for preventable medical negligence to $250K, no matter the result — even death.

Koo Yi-Do is one of the few people who has a sincere outlook on the world. He denounces the reality portrayed by films and works on a script for a "sincere" movie. Unfortunately, there are too many obstacles that keep him from finishing the job. His plan to shoot a film by peeping through a hole in a motel wall is deterred when he is arrested for circulating illegal videos.

Co-produced by Womenlink and the Feminist Film Collective Parituh, Even Little Grass Has Its Own Name was shot on 16mm film and was the first of its kind in Korea to address the issue of female office workers. The film is divided into two parts. Part 1 is about the conflicts of married female office workers who suffer from undertaking office work, housework, and childcare all at the same time. Part 2 focuses on single female workers who break away from being the traditional ‘flower of the company,’ and develop a greater sense of autonomy as they actively participate in forming a labor union.